Fred J. Koenekamp
Publisher
Warner Bros. Entertainment
Pub. Date
[2013]
Description
Disco was in, polyester was cool, and the roller game was the hottest thing on wheels when this smash-mouth spinfest elbowed its way onto screens. K.C. (Raquel Welch) is a single mom (to Jodie Foster) who laces up to earn a living for her family.
3) Carbon copy
Publisher
Distributed by Metro Goldwyn Mayer Home Entertainment
Pub. Date
[2004]
Description
When an uptight executive discovers he has a long-lost black son, his tidy world goes hopelessly and hilariously awry in this wickedly funny comedy.
4) Carbon copy
Publisher
Distributed by Shout! Factory
Pub. Date
2018.
Description
When an uptight executive discovers he has a long-lost black son, his tidy world goes hopelessly and hilariously awry in this wickedly funny comedy.
5) Kung Fu
Publisher
Warner Home Video
Pub. Date
[2004], c1972
Description
Kwai Chang Caine is a Shoalin Monk who is on the run after he killed the Chinese Emporer's nephew. The nephew had killed Caine's teacher in cold blood with a gun like a coward. Caine flees to America both to escape retaliation and to search for his brother in order to settle down in this new land. However, he can not help but to continually run into trouble from gun fighters and others as they oppress the innocent, while bounty hunters pursue the...
Series
Criterion collection volume 836
Publisher
The Criterion Collection
Pub. Date
[2016]
Description
Three girls come to Hollywood to make it big, but find only sex, drugs and sleaze.
"In 1970, Twentieth Century-Fox, impressed by the visual zing 'King of the Nudies' Russ Meyer had been bringing to bargain-basement exploitation fare, handed the director a studio budget and the title to one of its biggest hits, Valley of the Dolls. With a satirical screenplay by Roger Ebert, Beyond the Valley of the Dolls follows three young female rockers going Hollywood,...
Series
Criterion collection volume 836
Publisher
The Criterion Collection
Pub. Date
[2016]
Description
It follows three young female rockers going Hollywood in hell-bent sixties style under the spell of a flamboyant producer, whose decadent bashes showcase Meyer's trademark libidinal exuberance. Transgressive and outrageous, this big-studio version of a debaucherous midnight movie is an addictively entertaining romp from one of the movies' great outsider artists.